STILL PROCESS records label STILL PROCESS editorial content STILL PROCESS music curation STILL PROCESS records label STILL PROCESS editorial content STILL PROCESS music curation STILL PROCESS record label STILL PROCESS editorial content

Electronic music and sound art are approached here as situated practices,
grounded in specific conditions, irreducible to forms or genres. This project
explores what makes them possible: tools, gestures, ways of working, but also spaces,
scenes, social and political contexts. It documents and archives their processes.

At a time when music circulates endlessly, often detached from the conditions
of its existence, it proposes to slow down and look more closely. Not as an abstract
stream, but as something happening here and now, for someone, in a specific context.

What is at stake is also our relation to time, technologies, modes of attention,
social tensions, and forms of collective organization. Electronic and sonic practices
appear as ways of working with — or against — these conditions.

The project follows the processes: how things are made, circulate, transmitted,
and replayed. Above all, it observes how these practices, through bodies, machines,
and spaces, continue to transform — leaving a critical and living trace
of their histories and stakes.

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